Botswana Travel Guide
Botswana Travel Guide
People and culture
The San
Historical views

Botswana Travel Guide

Historical views

Despite much evidence and research, our views of the San seem to have changed relatively little since both the Bantu groups and the first Europeans arrived in southern Africa.

The settlers' view

Since the first Bantu farmer started migrating south through East Africa, the range of territory occupied by the foragers, whose Stone Age technology had dominated the continent, began to condense. By the time the first white settlers appeared in the Cape, the Khoisan people were already restricted to Africa's southwestern corners and the Kalahari.

All over the world, farmers occupy clearly demarcated areas of land, whereas foragers will move more and often leave less trace of their presence. In Africa, this made it easier for farmers, first black then white, to ignore any traditional land rights that belonged to foraging people.

Faced with the loss of territory for hunting and gathering, the foragers – who, by this time were already being called 'Bushmen' – made enemies of the farmers by killing cattle. They waged a guerrilla war, shooting poison arrows at parties of men who set out to massacre them. They were feared and loathed by the settlers, who, however, captured and valued their children as servants.

Some of the Khoisan retreated north from the Cape – like the ancestors of Namibia's Nama people. Others were forced to labour on the settlers' farms, or were thrown into prison for hunting animals or birds which had been their traditional prey, but which were now designated property of the crown.

This story is told by Robert J Gordon in The Bushman Myth: The Makings of a Namibian Underclass. He shows that throughout history the hunter-gathering San have been at odds with populations of settlers who divided up and 'owned' the land in the form of farms. The European settlers proved to be their most determined enemy, embarking on a programme of legislation and massacre. Many San died in prison, with many more shot as 'vermin'.

Thus the onslaught of farmers on the hunter-gatherers accelerated between the 1800s and the mid-1900s. This helped to ensure that hunter-gathering as a lifestyle only continued to be practical in marginal areas that couldn't be economically farmed – like the Kalahari. Archaeological evidence suggests that hunter-gatherer peoples have lived for about 60,000 years at sites like the Tsodilo Hills.

Western views of the San in the 1800s

Though settlers in the Cape interacted with Khoisan people, so did Europe and the US, in a very limited way. Throughout the 1800s and early 1900s a succession of Khoisan people were effectively enslaved and brought to Europe and the US for exhibition. Sometimes this was under the guise of anthropology, but usually it didn't claim to be anything more than entertainment.

One of the first was the 'Hottentot Venus' – a woman who was probably of Khoisan extraction who was exhibited around London and Paris from 1810 to 1815, as an erotic curiosity for aristocrats.

A string of others followed. For example, the six Khoisan people exhibited at the Coney Island Pleasure Resort, beside New York, and later in London in the 1880s and billed as the 'missing link between apes and men', or the 'wild dancing bushman' known as Franz brought to England around 1913 by Paddy Hepston.

Impressions of the San from the 1950s

In the 1950s a researcher from Harvard, John Marshall, came to the Kalahari to study the Kung! San. He described a peaceful people living in harmony with nature, amidst a land that provided all their needs. The groups had a deep spirituality and no real hierarchy: it seemed like the picture of a modern Eden. (Especially when viewed through post-war eyes.) Marshall was a natural cameraman and made a film that follows the hunt of a giraffe by four men over a five-day period. It swiftly became a classic, both in and outside of anthropological circles.

Further research agreed, with researchers noting a great surfeit of protein in the diet of the Kung! San and low birth rates akin to modern industrial societies.

Again the San were seen as photogenic and sources of good copy and good images. The lives were portrayed in romantic, spiritual terms in the book and film The Lost World of the Kalahari by Laurens van der Post. This documentary really ignited the worldwide interest in the San and led to subsequent films such as The Gods Must be Crazy. All the images conveyed an idyllic view of the San as untainted by contact with the modern world.

The reality

The reality was much less rosy than the first researchers thought. Some of their major misconceptions have been outlined particularly clearly in chapter 13 of John Reader's Africa: A Biography of the Continent. He points out that far from an ideal diet, the nutrition of the San was often critically limited, lacking vitamins and fatty acids associated with a lack of animal fat in their diet. Far from a stable population with a low birth rate, it seems likely that there had been a decline in the birth rate in the last few generations. The likely cause for this was periods of inadequate nourishment during the year when the San lost weight from lack of food, stress and the great exertions of their lifestyle.

In fact, it seems likely that the San, whom we now see as foragers, are people who, over the last two millennia, have become relegated to an underclass by the relentless advance of the black and white farmers who did not recognise their original rights to their traditional land.

San today and the media

Though scientific thought has moved on since the 1950s, much of the media has not. The San are still perceived to be hot news.

The outpost of Tsumkwe is the centre for many of the San communities in Namibia. It's a tiny crossroads with a school and a handful of buildings, in a remote corner of northeastern Namibia. Despite its isolation, in 2001 this desert outpost hosted no less than 22 film crews. Yes, really, that's an average of almost two each month – and I'm not counting a whole host of other print journalists and photographers.

Talk to virtually any of the directors and you'll realise that they arrive with very clear ideas about the images that they want to capture. They all think they're one of the first, they think they're original, and they want to return home with images which match their pre-conceived ideas about the San as 'the last primitive hunter-gatherers'.

As an example, you'll often see pictures in the media of San hunters in traditional dress walking across a hot, barren salt pan. When asked to do these shoots the San's usual comment is, 'Why, there's no point. We'd never go looking for anything there.' But the shots look spectacular and win prizes ... so the photographers keep asking for them. From the San's perspective, they get paid for the shots, so why not pose for the camera? I'd do the same!

Thus our current image of the San is really one that we are constantly re-creating. It's the one that we expect. But it's doesn't necessarily conform to any reality. So on reflection, popular thinking hasn't moved on much from Marshall's first film in the 1950s.

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